PRESS


Kuijer’s components
Karen Wilkin
October 2026

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How Asian Is It?
William Corwin
June 2026

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Can Abstraction be Asian?
Richard Vine
June 2026

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How Asian Is It? at the Milton Resnick and Pat Passlof Foundation
Matilda Lin Berke
May 2026

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Enter the Unsettled Space of Asian American Abstraction
Xintian Tina Wang
May 2026

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15 Art Shows to See in NYC This May
Hrag Vartanian, Valentina Di Liscia, Lisa Yin Zhang, John Yau, Jasmine Weber, Isa Farfan
May 2026

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‘‘Abstract Expressionists: The Women” Adds an Essential Chapter to the Movement’s History
Mary Gregory
March, 2026

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‘Abstract Expressionists: The Women’ Review: A Movement’s Underexplored Side
Karen Wilkin
February, 2026

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Building Models: The Shape of Painting at the Milton Resnick and Pat Passlof Foundation
Ian Cofre
November, 2025

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Building Models: The Shape of Painting at the Milton Resnick and Pat Passlof Foundation
William Corwin
November, 2025

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Building Models: The Shape of Painting
Alfred Mac Adam
November 2025

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Art history diagrammed at the Milton Resnick and Pat Passlof Foundation
David Carrier
October 2025

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CBS Sunday Morning
Joop Sanders: The Last Abstract Expressionist
July 2025

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Joop Sanders: The Last Abstract Expressionist
Ekin Erkan
June 2025

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Abstraction by Any Other Name at the Milton Resnick and Pat Passlof Foundation
Riad Miah
December 2024

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Accommodating the Object: Bosiljka Raditsa and Elizabeth Yamin
At the Galleries
Karen Wilkin
November 2024

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Painting, Poetry, Impasse
Barry Schwabsky
April 2024

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ArtSeen: Accommodating the Object
Jonathan Goodman
April 2024

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Accommodating the Object
Joanna Seifter
April 2024

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7 Art Shows to See in New York This February‍ ‍
Hrag Vartanian
February 2024

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REVIEWS NEW YORK
Pat Passlof at Eric Firestone Gallery
Donald Kuspit
March 2022

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ArtSeen: True Fictions
David Carrier
February 2022

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Style & Subject
Andrew L. Shea
January 2022

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Paintings Rather Than Pictures
John Yau
December 2021

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One Work: Midge Wattles’ “Venus”
David Ebony
August 2021

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ArtSeen: Guy Goodwin: Mattress World
David Rhodes
June 2021

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Guy Goodwin’s Colorful Inelegance
John Yau
May 2021

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Pat Passlof’s Abstraction Kept Evolving as New York and Its Art Scene Changed Around Her
Raphael Rubinstein
March 2020

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PAT PASSLOF’S TOUCH OF THE BRUSH
Andrew L. Shea
January 17, 2020

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Pat Passlof: The Brush is the Finger of the Brain
Eleanor Heartney
November 14, 2019

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PAT PASSLOF: AT THE APEX OF A LEAP
Jason Andrew
November 4, 2019

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Doing What Comes Naturally: Seven Painters in Their Prime
Tom McGlynn
July 25, 2019

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Bringing Milton Resnick Back into the Picture
Stephen Maine
September 15, 2018

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Milton Resnick's former studio reopens with retrospective of his work
Susan Morris
September 11, 2018

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Milton Resnick Gets His Due on New York’s Lower East Side
Hilarie M. Sheets
March 1, 2018

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Milton Resnick and Pat Passlof Foundation To Open Exhibition Space
October 26, 2017

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Milton Resnick and Pat Passlof Foundation Will Unveil New York Exhibition Space in February
Andrew Russeth
October 25, 2017

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When Painting Was an Unreasonable Vocation
John Goodrich
December 17, 2014

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Pat Passlof: ‘Paintings from the 1950s’
Roberta Smith
December 2014

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Art Review: Alberto Giacometti Drawings, Thomas Houseago’s ‘Moun Room’ and Pat Passlof
Peter Plagens
December 5, 2014

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An Abstract World That Looks Like Silence
Ken Johnson
July 24, 2014

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Pat Passlof: Paintings from the 1950s at Elizabeth Harris Gallery
Paul Behnke
November 30, 2014

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Man Out of Time: Milton Resnick at Mana Contemporary
Jonathan Goodman
July 11, 2014

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His and Hers Synagogues on the Lower East Side
Penelope Green
October 5, 2011

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